What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.
Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.
When the British army looks set to defeat Mussolini’s Italian forces, Hitler sends reinforcements; the Afrika Korps led by General Rommel. The Desert Fox is on winning form until Montgomery, the British commander, sets up a plan to crush his opponent. After the American landing in North Africa, the Axis armies have no choice but to surrender and put an end to the Desert War.
Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
Designed in partnership with HISTORY and using a distinctly European perspective, this series offers a fresh lens through which to study the European Theater’s major battles, larger-than-life personalities, twists of fate, and tales of intrigue. You’ll uncover the strategic decisions behind Operation Barbarossa, D-Day, the Battle of the Bulge, the invasion of Italy, the fall of Berlin, and more.
Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.
A one-hour series showcasing documentary films from across the Al Jazeera Network.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.
In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.
An oasis lost in the Saharan desert more than 700km from Algiers. A society still functioning on centuries-old rituals. The only connection to the city is a bus that passes once a day. Moussa, disabled from birth, lives there with his sister Zineb; They try, together, to reconstitute a family unit that the war has destroyed. The family is the dream of the idyllic times of childhood, of times when parents took all the responsibilities. Moussa is perfectly independent, although he has no arms, he nevertheless loves being cared for by his sister. Zineb, for her part, does not dare to face the new world that a marriage would constitute. Life passes punctuated by the same gestures. Zineb takes the bus to go to work at the date packaging factory. Moussa goes to see the schoolmaster, draws or dreams of Mériem, the woman he loves. A rose secretly grows in the sand, which Moussa waters every day.
In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.
The daily life and tribulations of colorful residents in the millennial popular district of the Casbah of Algiers.
Abderrahim is a mechanic and singer in his spare time. One day, he receives a car to repair, driven by a very beautiful girl. It's love at first sight. They want to get married and start a family, but the girl's parents do not view this love favorably. They decide to marry their daughter to another man. Subsequently, Abderrahim became a famous singer. The loss of her love leaves the young girl in a state of silence from which only Abderrahim can break her.
In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.
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