Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
The story of Wolfgang Amadeus Mozart - a child prodigy, a flawed human being and one of the greatest composers to have ever lived.
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
For the first 18 years of her life, Mozart’s sister shared equal billing with her brother. Musical partners and collaborators, Wolfgang Mozart and Maria-Anna Mozart played together before Kings and Queens, and were the talk of Europe. What happened to her? Forced into retirement by age 16 because she was a woman, a stunning new investigation explores why she was retired against her will and the explosive theory: did Maria-Anna Mozart continue to compose in secret?
A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.
A seventeen year old travels from London to the Austrian Alps to attend the legendary Mozart boarding school. There, he discovers a centuries-old forgotten passageway into the fantastic world of Mozart's "The Magic Flute".
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.
A quirky high school girl has to learn that you can't fit friendship into a checkbox.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
Founded in 2012 by Laurence Equilbey, the Insula Orchestra performs on period instruments and experiments with new concert formats. In summer 2018, the French conductor and her ensemble will present a little-known work by Mozart at the Parisian cultural center La Seine Musicale: the incidental music to "Thamos, King in Egypt". In 1773, the author Tobias Philipp Freiherr von Gebler asked his fellow Freemason Wolfgang Amadeus Mozart to compose incidental music for his heroic drama "Thamos, King of Egypt". The boy wonder composed two choruses and five interludes for the play, which took up the Egyptian theme popular in the 18th century.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
Little Amadeus is an animated television series which is intended to promote the interest in music and musical instrument playing in young viewers. The series consists of 26 episodes, each of which tell a fictional story of a young Wolfgang Amadeus Mozart
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.
Charles Hazlewood and a period instrument orchestra delve deeper into Mozart's music in programmes immediately following BBC Two's Genius of Mozart series.
In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.
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