Secluded from view by nine-meter-high walls and composed of 980 buildings, the Forbidden City in Beijing is the largest imperial palace ever built in the world. Three majestic structures form its center and host the city's ceremonies, each of which is considered an architectural masterpiece. In 1406, construction of the Forbidden City was launched at the initiative of one of China's most powerful sovereigns and founder of the Ming dynasty: Yongle. Endowed with divine power, the construction has already resisted more than 200 earthquakes.
Zhen Huan, a 17-year-old innocent introduced into the imperial court as the latest concubine of Emperor Yong Zheng. Her dreams of a new life of love and prosperity are swiftly dashed as she enters a dog-eat-dog world of treachery and corruption.
In the heart of Beijing lies the largest palace in the world, The Forbidden City. For five hundred years, it served as the home of the almighty Emperors of China along with their wives, concubines, and entourages of tens of thousands of eunuchs and civil servants. But the Forbidden City is more than an imperial residence; it is the center of the universe, a unique complex of structures revealing a hierarchy of power both imperial and divine.
The Forbidden City in the heart of Beijing was the home of the Chinese emperor and the seat of a vast bureaucracy ruling over what is now the world’s most populous state for 500 years. After falling into disrepair following World War II, the palace’s ancient wooden structures are undergoing extensive restoration works today. Inside the Forbidden City offers unprecedented access into the magnificent palace complex where access was once denied to all but the emperor, his family and his most senior retinue.
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.
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