A dangerously charming, intensely obsessive young man goes to extreme measures to insert himself into the lives of those he is transfixed by.
As the gaze sinks into the landscape, a relationship disintegrates, leaving love as a fleeting memory between archives and dreams. The writing of the days is imprinted on traces that repeat themselves in a constant déjà vu. Pain becomes noise and dissolves like particles in the air, in an attempt to reconstruct the inevitable. A leap into the void between the desire to remain and the impulse to erase a wound.
A college student prone to procrastination has a month to complete an important essay.
A reclusive English teacher suffering from severe obesity attempts to reconnect with his estranged teenage daughter for one last chance at redemption.
An orphan narrates his essay “What is Family?” and how he found his answer when he met “Surfing Uncle” developing a bond like a father, uncle, grandfather and brother from the — heart.
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.
Scored by Australian electronic music group The Avalanches and produced by Junk Food Dinner, SINCE I LEFT YOU is a visual essay about synchronicity, electricity, and sending signals with complicated computers.
The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.
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