The scheming Mallikajaan rules over an elite house of courtesans — but a new rival threatens her reign as rebellion brews in British-ruled India.
Parisian courtesan, Violetta meets the romantic aristocrat Alfredo and finds herself in love for the first time. She abandons her frivolous lifestyle to be with him but his father Germont, charged by the hypocrisy of upper-class society, threatens their future.
Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
Based on the novel of the same name by Aliya Bukhari, Deewar-e-Shab tells the story of three generations of courtesans' day-to-day struggles in the previously lively Sitara Mahal.
The star courtesan is a sought-after title. These two women will do anything to get it.
The film is a tragedy based on a courtesan 'Anjuman', who born from a rich noble father and a courtesan mother. After her father's death she and her mother was abandoned by her paternal family. Her mother works as a courtesan to bring her up and wishes oneday her daughter will join the same business like her.
Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.
Veronica is brilliant, gifted and beautiful, but the handsome aristocrat she loves, Marco Venier, cannot marry her because she is penniless and of questionable family. So Veronica's mother, Paola, teaches her to become a courtesan, one of the exotic companions favored by the richest and most powerful Venetian men. Veronica courageously uses her charms to change destiny -- and to give herself a chance at true love.
At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.
Cousin Bette is a poor and lonely seamstress, who, after the death of her prominent and wealthy sister, tries to ingratiate herself into lives of her brother-in-law, Baron Hulot, and her niece, Hortense Hulot. Failing to do so, she instead finds solace and company in a handsome young sculptor she saves from starvation. But the aspiring artist soon finds love in the arms of another woman, Hortense, leaving Bette a bitter spinster. Bette plots to take revenge on the family who turned her away and stole her only love. With the help of famed courtesan Jenny Cadine she slowly destroys the lives of those who have scorned her.
Told mostly in flashbacks, the film tells the story of Pamela Digby Churchill Hayward Harriman, one of the greatest and probably most famous courtesans of the twentieth century. While not showing her childhood, first marriage to Winston Churchill's son, or most of her affairs, we do get to see her affair and eventual marriage to Broadway producer Leland Hayward, and then her marriage to politician Averell Harriman, with whom she had an affair while both were married to others in World War II. We also see her as ambassador to France during her last years, and her death in 1997. While some (mostly her lovers) adored her, others (mostly her son and her husbands' children) hated her.
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