Single and without a man on the horizon, Pia runs a failing photography studio in London with her best friend Jay. As her sister Sonal prepares for marriage and her mother Laxmi urges her to partner up, a spiritual guru predicts Pia will meet the love of her life among her next five dates. With her family intervening, Pia embarks on a hilarious yet heartfelt quest for love.
Mrs. Sidhu is a high-end caterer with a taste for crime. Recently widowed, she juggles her new catering business with encouraging her wayward son Tez to find his passion, all while serving up justice to those who believe they are above the law. Her forays into sleuthing see her form an unofficial partnership with long-suffering divorcee DCI Burton who reluctantly accepts that together they're an unbeatable crime-fighting duo, much to the bemusement of his partner, DS Mint.
Zed, a young British rapper, is about to start his first world tour, when a crippling illness strikes him down, forcing him to move back in with his family. He tries to find himself between an international music career and Pakistani family traditions.
From the Black Earth is a collaboration between Bristol based company Cables and Cameras, and a local farmer Humphrey Lloyd. Employing both lucid speakers and poetic camera work, the film poses stark questions such as; why does food poverty exist in a nation of plenty, and why are people of colour so under represented not only in our countryside and farms, but in the environmental movement more broadly? By giving a platform to people of colour who are connecting with nature and working the land, this short documentary starts to unpick these questions...
Adam McKola goes on a journey to try and discover why professional football in Britain continues to overlook British Asians. Copa90 follows Adam as he discovers the reasons some British Asian footballers and coaches feel they have been held back, reasons for this and what the football governing bodies and the British Asian communities can do to improve the amount of British Asians at football's highest level.
In 1987, during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family, and find his own voice through the music of Bruce Springsteen.
The lives of three families are woven together across three decades in multi-cultural Britain.
Goodness Gracious Me is a BBC English language sketch comedy show originally aired on BBC Radio 4 from 1996 to 1998 and later televised on BBC Two from 1998 to 2001. The ensemble cast were four British Indian actors, Sanjeev Bhaskar, Kulvinder Ghir, Meera Syal and Nina Wadia. The show explored the conflict and integration between traditional Indian culture and modern British life. Some sketches reversed the roles to view the British from an Indian perspective, and others poked fun at Indian stereotypes. In the television series most of the white characters were played by Dave Lamb and Fiona Allen; in the radio series those parts were played by the cast themselves. The show's title and theme tune is a bhangra rearrangement of a hit comedy song of the same name. The original was performed by Peter Sellers and Sophia Loren reprising their characters from the 1960 film The Millionairess. The show's original working title was "Peter Sellers is Dead", but was changed because the cast generally liked Peter Sellers. In her 1996 novel Anita and Me, Syal had referred to British parodies of Asian speech as "a goodness-gracious-me accent". One of the more famous sketches featured the cast "going out for an English" after a few lassis. They mispronounce the waiter's name, order the blandest thing on the menu and ask for twenty-four plates of chips. The sketch parodies often-drunk English people "going out for an Indian", ordering chicken phall and too many papadums. This sketch was voted the 6th Greatest Comedy Sketch on a Channel 4 list show.
Karim is 17 years old and lives in a South London suburb with his English mother and Pakistani father, who has become a kind of spiritual guru to his middle-class neighbours. Karim wants to explore his cultural roots, in the hope that he will achieve sexual and racial self-realisation.
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