They are possessive, benevolent, clumsy, absent, omnipresent, overwhelmed, guilty, indulgent, loving, fragile, in full possession of their wits, or losing their heads. Alive or already a memory. They are mothers, and it’s their party.
In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.
An ordinary man who is a big Bruce Lee fan falls in love with a girl.He needs to do something extraordinary for saving his girl from a gangster.
One fine day, at about 10 am, in a suburban house, three men, in their thirties are waiting for a fourth buddy. When he arrives, they plan to hold up the local bank where Séverine, their accomplice, is waiting for them. This could well be the beginning of a thrilling crime story, but these tough men, sporting tattoos, are not what they appear. "On fait comme on dit" is a comedy, and these guys could be descendants of the Keystone Cops. They are dreamers not gangsters. So much is riding on this bank heist, the pressure is intense. This tension creates the most diverse and unexpected obstacles for them...
It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.
Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.
A wealthy businessman risks his fortune to test the love of his beautiful girlfriend.
An Italian gentleman and a doctor's wife plot to break up their spouses' tryst in Paris.
Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.
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