Directed by: Saeed Madbouly (Director) Muhammad Al Sharif (Director) Written by: Naguib Najm (Author) Ahmed Helmy (Author)
Ibrahim (Salah al-Saadani) abandons his wife Fawzia (Najla Fathi) and leaves the town and settles in Cairo, where he married Hassania (Aida Riad), Fawzia and Ibrahim deny his knowledge of her and claims that the detective is crazy and exploits that she has no proof of her identity. She also comes with a pair of false papers calling for her child. Fawzia collapses and becomes depressed. They enter the mental hospital. Farida (Yusra) sympathizes with her and tries to help her in every way.
Samir young works in a large investment company son of the owner of the company to make an accident and kill a person and accused the owner of the company Samir theft if he did not recognize that the incident escapes and recognizes the owner of a shop trying to use stolen by a villa rich person, what will happen
Said the officer in Vice Squad is shocked by the decision of his boss to stop the investigation into the case of Alia Hanim because of her connections with officials and turns into a rigid person. When Said has information that some women visit a flat and practice fornication , he tries to prove the charge against them even by falsification.
The film revolves around the teacher (Youssef) left by his classmate and sweetheart schoolgirl (Laila Alawi) and marries a wealthy man who migrates to America, traveling in loan to work as an Arabic language teacher and Islamic religion in the capital of the Maldives or Maldive islands Which is located at the bottom of the Indian subcontinent in the heart of the Indian Ocean. He lives there with a librarian named Wahid who is fluent in Arabic. After a period they go to another remote island to attend a wedding. Yusuf is in love with the Indian Muslim girl Zainab..
(Nabil) returns to Egypt after an absence of 18 years to recover his father's palace after the guard has been lifted from him, gets to know the school (Amal), be surprised by his friend (Omar) who has become wealthy from the drug trade and becomes an influential businessman, (Omar) succeeds in attracting ( Nabil) to his world. And he turns his evening to the palace, which turns into a den of delinquency
Al-Zamar Hassan is on the run after he was an Engineering student and presented a play with the acting team in the Faculty that the authorities didn't like. He moves from village to village in Upper Egypt, in search of safety. He settles in the village of Araba becoming a vendor in a grocery store.
This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet.
The story of Saad al-Yateem, whose father was killed by his uncle (Badran), and his righteous lady (Karamat) until he grows up, and even the fate wants to love his cousin without knowing her. The film deals with the age of young men in the twenties, and the bully is to be a murderer or a murderer
Tawfiq Ameen Muhammad Ahmad al-Sheikh Al Deqen was born in the village of Horeen in Berket al-Sab’ Monoufeyya (delta of Egypt). He graduated from the High Institute of Dramatic Arts in 1950. His career started when he was still studying when he played the role of a peasant and then participated in “Dhohoor al-Islaam" (The appearance of Islam) in 1951. Seven years after his graduation, Tawfik joined the Free Theatre Troupe. He also worked with Esma’eel Yasseen in his troupe then joined the National Theatre where he remained member of its troupe until the end of his life. In the National Theatre, he presented “’ Aaelat al-Doghry" (The Dodgers), “Bedaaya wa nehaaya" (Dead among the living), “Sekkat al-salaama" (The safe way), “Al-Mahroussa" i.e. The Blessed”, “’ Afareet Masr al-gedeeda i.e. The demons of Heliopolis”, “Al-farafeer” where he excelled. , “Mash-had men al-guesr" (View from the bridge), “Hesbet Berma" (Berma calculation)”, “Al-naass elly taht" (Downstairs people), “ Kahayal al-dhell" (Shadow plays), “Solaymaan al-Halaby” and “Beer al-sellem" (Stairwell). He was very popular in playing the evil scoundrel role in a very special manner that was assisted by his features thus making him one of the best Arab actors in such roles. As Tawfik grew older his roles changed. He played the role of the helpless father in “’Ala baab al-Wazeer” and the peasant’s role in “Kharaga wa lam ya’od" (Out and never back). His on-screen phrases became idioms in Egypt and all over the Arab world; “Ahla men al-sharaf mafeesh,” “Hambaka” and “Alo ya Omam”.
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