At the end of the 1920-s the Finnish government proclaimed dry law which lasted 12 years. Estonian bootleggers living on the neighboring coast of the Gulf of Finland profited from prohibition......
Candles in the Dark is the story of a girl who comes to visit her father's homeland, the Soviet Republic of Estonia. After she arrives, she finds that her father is part of the dissident anti-soviet underground. She soon find her self engulfed in the struggle with her father and a lot of new friends, and finds herself being hunted by the KGB.
In August, 1991, Estonia reclaims its independence from the USSR and brings to its national bank nearly $1 billion in gold bullion hidden in Paris for 50 years. Russian mobsters have a bold plan to hijack the gold after shutting down the capital's power at midnight
The last film directed by Kaljo Kiisk has been dedicated to theatre and the people in theatre. You are entering the hectic world of musicians, zanies and jesters - and don't expect to hear a symphony but a single delicate sound of a flute.
When the doorbell rang late night during the Soviet times, if was often the sign of military recruitment. The chain of events in the film begins from the fatal ring at the door, putting the marriage of a young photographer and his beautiful wife to the test. Being afraid of the army, the young family try to escape the situation. However, they are drifting away from freedom.
A movie about the life in a small Estonian city in the 1950s. Young people face an instinct for survival that shatters ideals but can also destroy lives.
The manufacturer lance Gerero on the basis of irrefutable evidence accused of killing a girl. However, the young lawyer still hopes to expose the criminals involved in the fabrication of false evidence, saving their customers from competitors…
The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?
Salme Reek (November 10, 1907 – June 6, 1996) was an Estonian stage, film, radio, and television actress and stage director whose career spanned nearly seventy years; sixty-six of which were spent as an actress at the Estonian Drama Theatre. Salme Helene Reek was the oldest of three siblings born to paper pulp factory worker Juhan Reek and housewife Julia Reek (née Erberg) in Pärnu. Her younger siblings were Hilda (1911–1990), and Oskar (1922–1939) who died at age seventeen. During Reek's early years, the family lived in near-poverty in a one-room apartment on Suur-Kuke Street, later moving into a two-room studio apartment. Both of Reek's parents were keenly interested in music; her father Juhan played the piano and the harmonium and her mother Julia sang as a first soprano in the family's Lutheran church choir. Both parents were also theatre enthusiasts and Reek often attended theatre productions at Pärnu's Endla Theatre during her early childhood. Reek began her primary school studies in Pärnu before the family relocated to Tallinn, then returning to Pärnu approximately four years later. The family subsequently returned once more to Tallinn, where Reek attended secondary school at Tallinn 2nd Girls' Gymnasium (now, Tallinn Kristiine Gymnasium), graduating in 1927. Reek performed well in history and language classes and excelled in gymnastics. Just after graduation in 1927, Reek enrolled in studies at the Drama Theatre Studio School in Tallinn, founded in 1920 by actor and theatre pedagogue Paul Sepp, graduating in 1930. From 1929 until 1933, Reek studied dance with Estonian choreographer and dance teacher Gerd Neggo who, because of Reek's difficult financial situation, taught Reek without charge. Reek made her feature film debut in a small role in the 1969 Soviet-Estonian comedy-drama Hullumeelsus, directed by Kaljo Kiisk for Tallinnfilm. This was followed by the role of Epp in the Kiisk directed drama Tuuline rand in 1971, also for Tallinnfilm. In 1972, she played the role of Amanda in the Veljo Käsper directed and Enn Vetemaa penned World War II drama Väike reekviem suupillile. Reek also appeared in a number of other small roles in films during the 1970s, including the Veljo Käsper directed dramaTuulevaikus in 1971 and the Kaljo Kiisk directed romantic-drama Maaletulek in 1973. In 1976, she made an appearance in the Veljo Käsper directed drama film Aeg elada, aeg armastada. In 1981, Reek appeared in the role of the character Tuiska's wife in the Arvo Kruusement directed period drama Karge meri; a film adaptation of the 1938 novel of the same name by August Gailit about the lives of seal hunters in a small village on the Baltic Sea. In 1984, she appeared in the Helle Karis directed fantasy-family film Karoliine hõbelõng. In 1989, she appeared in the Igor Voznesensky directed Russian language science fiction film Idealnoe prestuplenie, and in 1991 appeared in a small role in another Russian language film, the Aleksandr Polynnikov directed adventure-comedy Obnazhyonnaya v shlyape. Other films include the 1992 Jüri Sillart directed period drama film Noorelt õpitud, the 1992 Lembit Ulfsak directed family-comedy film Lammas all paremas nurgas, and the 1993 Ilkka Järvi-Laturi directed dark comedy Tallinn pimeduses. Throughout her career, Reek also appeared in a number of short films
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