Comedian Nick Helm narrates this bold new documentary series exploring the dramatic history of British cinema. Discover how cinema held a mirror up to society from 1960 through to the 00s.
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.
Charlotte Sally Potter OBE (born 19 September 1949) is an English film director and screenwriter. She is known for directing Orlando (1992), which won the audience prize for Best Film at the Venice Film Festival. She also directed The Tango Lesson (1997), The Man Who Cried (2000), Yes (2004), Rage (2009), Ginger & Rosa (2012), The Party (2017) and most recently The Roads Not Taken (2020).
By browsing this website, you accept our cookies policy.