An account of the professional and personal life of renowned American photographer Annie Leibovitz, from her early artistic endeavors to her international success as a photojournalist, war reporter, and pop culture chronicler.
Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.
Robert Hughes tackles the work and lives of three remarkable 20th-century architects: Albert Speer, Mies van der Rohe, and Antonio Gaudi - whose work did so much to shape the modern world. Hughes looks at how each one used space in different ways to express our response, respectively, to the power of religion (Gaudi), the power of the State (Speer), and the power of the corporation (Mies van der Rohe).
Documentary about Spanish architect Antoni Gaudi made for the BBC series "Visions of Space".
Join art historian Robert Hughes for a fascinating journey into the life of Spanish painter Francisco Goya. Using the artist's works as the benchmarks in this biographical profile, Hughes follows Goya from his role as painter to the royal court through his maturity as a war reporter and into his troubled final years. Hughes reveals how the upheaval of Goya's life can be traced through his paintings that range from the fanciful to the insane.
Robert Studley Forrest Hughes AO was an Australian-born art critic, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of The New York Times as "the most famous art critic in the world."
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