Live from Radio City Music Hall, witness the concert of a lifetime with a star-studded lineup bringing together legendary Saturday Night Live hall-of-famers, iconic guests and surprise musical performances.
Arcade Fire are masters of epic performances and this date at the AccorsHotel arena was just that; as part of a major tour following the release of the Canadian sextet’s last album ‘Everything Now’.
Arcade Fire performing at the 2016 Voodoo Festival in New Orleans. Setlist: 1. Ready to Start - 0:30 2. The Suburbs - 5:18 3. Sprawl II (Mountains Beyond Mountains) - 11:38 4. Reflektor - 17:24 5. Afterlife - 23:45 6. We Exist - 31:10 7. Normal Person - 36:50 8. Keep the Car Running - 42:05 9. Intervention - 46:30 10. My Body is a Cage - 51:30 11. We Used to Wait - 56:20 12. No Cars Go - 1:01:57 13. Haiti - 1:07:25 14. Snippet of New Song - 1:12:45 15. Neighborhood #1 (Tunnels) - 1:15:10 16. Neighborhood #3 (Power Out) - 1:20:10 17. Rebellion (Lies) - 1:26:45 18. Here Comes the Night Time - 1:32:40 19. Wake Up - 1:40:45
When his new album fails to sell records, pop/rap superstar Conner4real goes into a major tailspin and watches his celebrity high life begin to collapse. He'll try anything to bounce back, anything except reuniting with his old rap group The Style Boyz.
Jumpers for Goalposts brings together Ed’s captivating performances from the biggest shows of his career at Wembley Stadium in July 2015, where he wows the 80,000 strong crowd with his biggest hits to date, including “The A Team”, “Sing” and “Thinking Out Loud” – and there’s even a surprise duet from Sir Elton John. As well as his breath-taking onstage performance, Jumpers for Goalposts is intercut with the story of Ed’s triumphant road to Wembley, presenting a revealing and personal glimpse into life backstage and on the road, along with an honest and intimate reflection by Ed – and those closest to him – on just how far he has come.
Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”
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