An early 20th-century sultan is introduced to the cinematograph with the help of a former operator for the Lumiere brothers.
It tells the story of Mayte, an engineer who returns to a small town, with only 12 inhabitants, to carry out an important project. Her visit coincides with the valley's annual event. There she reunites with Jaime, her childhood love.
A hieratic Count sits in his elegant mansion finishing his writings - Alphonse, a young Waloon officer, rides through the Murgia to reach his regiment in Naples but soon finds himself mysteriously detained at a inn in the strange and varied company of thieves, brigands, cabalists, noblemen, coquettes and gypsies, whose stories he records over ten days. A range of situations in stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provide entertainment on an epic scale. The two men's destiny intertwined, it is difficult to know who's real between the two and who belongs to the other's mind. This is a journey for both of them which Alphonse will continue, uncertain in the end, if his experiences were real or a dream.
During a long night of August, some people have different experiences that leave a deep impression in them. Linked by a radio night show, all them cross the city of Barcelona, not knowing that their fates will collide with each other in unexpected ways.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity.
An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.
Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 13-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.
A chronicle of the life of Spanish playwright and poet Lope de Vega, who dominated Spain's early Golden Age of Theater in the 16th century. Lope returns home from war and enters the theater world when a producer's beautiful daughter takes a shine to him. They embark on a passionate affair as his plays begin to win popular acclaim.
Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana tricks her fresh-from-prison sister, Aurora, and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
A group of children find a magic stone that transports them to the XII century.
From Wikipedia, the free encyclopedia Pilar López de Ayala Arroyo (born 18 September 1978 in Madrid) is a Spanish film actress. She received a Goya for her role as Queen Joanna of Castile in the 2001 film Juana la Loca, directed by Vicente Aranda (released in the United States as Mad Love). Description above from the Wikipedia article Pilar López de Ayala, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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