Michael Gaismair is generally known as the leader of the oppressed people in the Tyrolean peasant uprisings in the 16th century. Yet he was far more than a simple rebel. Michael Gaismair had extraordinary foresight and he dared to fundamentally question the church and the supremacy of the nobles – which of course did not please the authorities at all. Betrayal and imprisonment only fueled his passion for the concerns of the peasants and ensured that he was no longer content with reforms. In his thoughts and actions, he was in no way inferior to Martin Luther and Thomas Müntzer. His plans and actions brought him into contact with the Swiss reformer Ulrich Zwingli and the two kingdoms of France and Venice. His demands was far ahead of its time and already included points such as the separation of the church from the state, or the reduction of privileges. But the powerful Habsburgs knew how to prevent this and persecuted the Tyrolean leader until his death.
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
A young girl tries to help her grandfather, who is suffering from Alzheimer’s, navigate his increasing forgetfulness, and ends up going on a remarkable adventure with him.
An irreparable mistake in a case of abuse that drives the accused, a pastor, into suicide, prompted Kommissar Höllbacher to resign.
A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”
Luis Trenker - South Tyrolean mountaineering legend, actor and director - traveled to the Venice Film Festival in the summer of 1948. He wants to offer Eva Braun's diaries to the American Hollywood agent Paul Kohner for filming. At the same time, the authenticity of these diaries is negotiated before the Munich district court. The director Leni Riefenstahl, ex-lover of Trenker, feels disgraced by the implication that she was Hitler's lover. The story is told in flashbacks of two opportunists who, possessed by the will for artistic success, instrumentalize themselves ...
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