A Slovenian mother takes her addicted and self-destructive daughter with her to a remote Italian village. Isolation as attempted salvation. Inspired by Proust, Skafar turns this theme into a gentle and beautiful film, a poem about two souls in which the unutterable slowly comes to the surface.
After a car accident, Jure is trapped in a house with his guilty conscience and neurotic mother. Mother's friend Majda tries her best to help them in her own way.
The town of Trdoglav lives its peaceful life in the idyllic Slovenian countryside. Wherever this picturesque village with the most sincere inhabitants lies, their stories and vicissitudes will make us laugh to tears.
The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.
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