In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.
A retired boxer is willing to do anything to return to the ring and conquer the woman who never wanted to reciprocate him.
Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and him trying to be helpful in his career and with women, only worsens the conflict.
Close-up to a man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.
A couple, a relationship, the feelings that are mixed with fantasy, the presence of the other is real or only what the mind allows to be embodied exists.
The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.
The film focuses on the journey of General Juan Facundo Quiroga, with a very compromised health, to the north in order to resolve the conflict between the provinces of Salta and Tucuman.
A young businessman, owner of a major publishing house, is found shot to the head. Everything suggests a murder, since he was doing a journalistic investigation about a shady business.
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