The idealistic Lærke is put to the test when she drags her boyfriend and child to her parents' St. Hans Eve party, because what should have been a cosy family moment soon turns into a psychological power struggle between two generations. When Lærke ends up being brought down by her own principles, she throws herself into a last childish attempt to take back control.
Anna and Thomas are missing something: love. They will follow their encounter through confusing crushes and lack of commitment, but can love survive when you don't want to compromise your own dreams for your partner?
A whistle blower attempts to reveal the secret behind a nuclear disaster that occurred during the height of the Cold War.
Anne has given up trying to find a man who will fit into her sensible and controlled life. Therefore she has chosen to become pregnant with an anonymous sperm donor who has been carefully chosen. But as her hormones get the better of her she realizes that the child may come to resemble the father and possibly get his less flattering characteristics. Anne feels compelled to find the sperm donor and ensure that he is as perfect as she imagines.
A tragic story about Anna who dreams of one thing only: making it as an actress. She moves from Sweden to Copenhagen to pursue her dream. But fate has something else in store for her. Though she struggles to give her 4-month-old daughter a good start in life, she ultimately fails to unite her dream of acting with a safe and loving environment for her child, culminating in a desperate act that has fatal consequences for Anna and her daughter.
A story about a group of rich kids, from old money families, north of Copenhagen, from a world where people with ambition and power rule. Away from the superficiality and pretention of their social class, they live a secret life, in which power, money, sex, drugs and endless secrets dominate. A lifestyle only a few of them can survive and where most become scarred for life.
Hannah (Lotte Andersen) is a housewife in a village Zealand, where she is married to the sad Carsten (Mikael Birkkjær). She sings in the mammal church choir along with his outspoken sister (Ditte Gråbøl). A choirmaster in transit - the black Jackson - get fired up during the chorus, as soon singing and joy - and Hannah is experiencing new feelings.
Nete is a tough woman of 37 who runs her job, husband, and teenage daughter with a firm and efficient hand. Her father suddenly becomes ill. Seriously ill. Nete forces a doctor to tell her how much time he has left. 3 weeks, hardly any longer. Nete's father becomes bitter and introvert, but Nete insists that he come to live with her and her family the few weeks he has left. "You should die with your family." Nete's father moves in and puts even more strain on Nete's family and everyday life. They all try to cope with the situation - he has only three weeks left, and you don't argue with a dying man. Three weeks pass by. A month. Nete's father does not die, his appetite comes back, the doctors begin to have doubts as to the prognosis, and Nete has a problem.
When Albert's best friend Egon goes missing, Albert embarks on an adventure to find him. Along the way he meets Sabrina and together they must save Egon.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Michael Moritzen er søn af skuespilleren Henning Moritzen og kassererske Betty Moritzen, f. Krohn. Han blev uddannet som instruktør på Statens Teaterskole i 1978 og uddannet som skuespiller på Skuespillerskolen ved Århus Teater i 1981. Han var tilknyttet Aarhus Teater i sæsonen 1981-82 men blev derefter free lance. Han har bl.a. spillet Børge i "Dansen med Regitze" og en større rolle som modstandsgruppelederen i "De nøgne træer". På teatret har han bl.a. haft titelroller i "Don Ranudo" på Grønnegårds Teatret i 1989, i "Erasmus Montanus" og som admiralen i "Pinafore" på Det Danske Teater i 1998. Michael Moritzen var 1999-2000 leder af skuespillinjen på Statens Teaterskole og i 2001 blev han chef for Folketeatret / Hippodromen, hvor han uden større held forsøgte sig med en vis fornyelse af repertoiret.
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