Amina Handke adapts the 1967 theatre play Kaspar written by her father Peter Handke. Instead of a young man being tortured by language, we meet an old woman played by the director’s mother, Libgart Schwarz, who loses her linguistic abilities while rehearsing for the very same play. What begins as a pure and playful family meta-fiction turns into a surreal, partly nonsensical Babylonian confusion, it’s just that it’s not different languages that are clashing but layers and fragments of the German language, the language of the father. The film avoids the traps of representational cinema. It’s all noises and muttering, injunctions and an almost Dadaist pleasure in repeating sentences until they completely lose their meaning.
To save his town Braunschlag from bankruptcy, the mayor decides to fake a Marian apparition. This black-humored farce revolves around greed, corruption, churchianity and alcohol.
A movie theater in the suburbs of Vienna. At the end of the show, a corpse is suddenly sitting in the auditorium. The mysterious tie murderer has struck again. Together with her friend Schorsch - the head waiter of the "Nachtigall" - the cinema owner Hermine wants to get rid of the "business-damaging" corpse inconspicuously. Mutual suspicions begin among the patrons of the restaurant.
An unusual story of a triangular relationship in Vienna. A woman shares an apartment with a man named Malina. The woman meets Ivan and falls under his spell. It will be her last great passion. Her feelings are so strong and all-encompassing that Ivan can neither understand nor return them.
Libgart Schwarz is an Austrian stage and screen actress. She studied at the Max Reinhardt Seminarium in Vienna. In 1967 she married Pater Handke. They have a daughter, Amina. Libgart Schwarz was recruited by Peter Stein to the Schaubühne ensemble, where she also worked with Luc Body.
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