A woman is paid a surprise visit by her long-forgotten classmate, who needs her advice: should he choose a wife or a lover? An outrageously burlesque mise-en-scène is repeated many times but each time in a different place and performed by new actors. Why?
This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.
A strange man intervenes between ex-spouses on a matter directly related to a large sum of money one of them had secured after selling a piece of property.
A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.
A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.
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