Having become a world star thanks to James Bond, Sean Connery, who died in 2020, has never stopped trying to shed the image of a sexy and slightly brutal macho that stuck to 007. A look back at an eclectic career, carried out with panache.
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.
Discussion about Carol Reed's 1947 film "Odd Man Out."
John Boorman (born 18 January 1933) is an English filmmaker who is a long time resident of Ireland and is best known for his feature films such as Point Blank, Deliverance, Excalibur, The Emerald Forest, Hope and Glory, The General and The Tailor of Panama. Description above from the Wikipedia article John Boorman, licensed under CC-BY-SA, full list of contributors on Wikipedia
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