A period musical comedy set in a quiet Prague quarter at the end of the fifties. Using the western plot device of the "man from nowhere" a generation gap story unfolds of changing social climate. The action is driven by the character of a young man named Baby who causes a local rebellion by bringing rock'n'roll to a Communist neighborhood raised on swing.
The heroes of this wacky spectacle are the large Karafiát family, who, in the emerging market conditions, decide to abandon their current way of making a living (stealing funeral wreaths and transforming them into artfully tied bouquets) and start a business. This is how the peculiar travel agency Český ráj, built on the ingenious idea of not taking poor Czech tourists abroad, but on the contrary, rich foreigners to Bohemia, sees the light of day. Thanks to a quirky advertising campaign, a motley mix of French people actually manage to board a bus in Paris and set off. But the Karafiats' entrepreneurial worries are just beginning.
The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.
A group of children are helping a good spirits who are living in a cave near school.
The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.
The fate of an unlucky director of a dismantled cultural house who temporarily believes in the meaningfulness of his actions, exposed to the pressure of many different difficulties.
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