Horror bleeds into the 21st Century in an incisive documentary looking back at the late 1990s film industry on a global scale to find out what happened at the turn of the millennium to allow for the huge wealth of horror films flooding out from all corners of the globe. From SCREAM (1996), THE BLAIR WITCH PROJECT (1999) and FINAL DESTINATION (2000), to WRONG TURN (2003), HOSTEL (2005) and SAW (2004), with insight from Joe Lynch, Xavier Gens and Bill Malone who track the technology, the industry and the societal changes behind the next generation of horror films.
A novelist with writer's block reaches into the supernatural for inspiration.
May All Your Christmases Be Black is a DVD companion piece to the 2006 remake of "Black Christmas". It was made for people to see after they've watched the movie itself, therefore containing/revealing spoilers as to how certain characters die, as well as the identity of the killer. The piece seeks to gain insight from writer/director, Glen Morgan on the whys and hows of not only re-making a popular cult classic, but how it fits within his own career. Filmed fly on the wall-style, the featurette mainly covers Morgan's struggle, for good or for worse, to make his film commercially popular while still trying to include elements like a theme and tone in what is essentially a slasher horror movie. The theme of "family" permeates throughout the movie, but also behind-the-screen as well.
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
From Wikipedia, the free encyclopedia James 'Jim' Wong (born April 20, 1959) is a Hongkongese-American television producer, writer, and film director notable for his screen works of The X-Files, Space: Above and Beyond, Millennium, Final Destination, The One, and the remakes of Willard and Black Christmas along with writing partner Glen Morgan. Description above from the Wikipedia James Wong (producer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
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