Isabel Sarli

Overview

Known for
Acting
Gender
Other
Birthday
Jul 09, 1935 (89 years old)
Death date
Jun 25, 2019

Isabel Sarli

Known For

Danube
1h 3m
Movie 2021

Danube

Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.

Zombies in the Sugar Cane Field: The Documentary
1h 29m
Movie 2019

Zombies in the Sugar Cane Field: The Documentary

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Mis días con Gloria
Movie 2010

Mis días con Gloria

Mystery film from Juan José Jusid

Flesh on Flesh
1h 35m
Movie 2008

Flesh on Flesh

Documentary on Argentine actress and sex symbol Isabel Sarli, including clips from her films and interviews with her and other actors.

The Lady Is Back
1h 40m
Movie 1996

The Lady Is Back

After being scorned out of her small hometown, Aurora returns as a millionaire to exact revenge on those who humiliated and ostracized her.

Biography

Hilda Isabel Gorrindo Sarli, nicknamed Coca, (9 July 1935 - 25 June 2019) was a retired Argentine actress and glamour model, known for starring in several sexploitation films by Armando Bó, especially in the 1960s and 1970s. She began her career as a model and beauty queen, becoming Miss Argentina and reaching the semi-finalis of Miss Universe 1955. She was discovered by Bó in 1956 and made her acting debut the following year with Thunder Among the Leaves, in which a controversial nude scene featuring Sarli made it the first film to feature full frontal nudity in Argentine cinema. As the muse and protagonist of Bó's films, Sarli became the quintessential sex symbol of her country and a popular figure worldwide. With Bó's death in 1981, Sarli virtually retired from acting. Since the 1990s, her films have been revalued for its camp and kitsch content and are recognised as cult classics.

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