23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Chico Buarque is a constant presence in Brazil's art scene and makes up its citizen's popular culture. This wealth in music, poems, theater and novels has been created over the last 50 years and in this film Chico Buarque converses about his memories, shows, daily life, work methods, creative process, in summary all his trajectory. The musician’s search for his German brother, whom he never got to meet, serves as one of the axis for the narrative.
Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective França.
A documentary about the production of Hugo Carvana's successful film "Vai Trabalhar, Vagabundo", from 1973.
Giovanni Improtta is a criminal who wants to climb the social ladder and become a law-abiding citizen. To achieve it, he commits some more crimes He is betrayed, and ends up under the spotlight of the media and the radar of the police, falsely charged for murder.
Hugo Carvana de Hollanda (Rio de Janeiro, June 4, 1937 – Rio de Janeiro, October 4, 2014) was a Brazilian film and television actor and director. Initially associated with scoundrel-type characters during his early career, he played parts in many Brazilian New Wave (Cinema Novo) films. He later moved on to starring and directing comedies, such as his directorial debut, the self-starred "Vai Trabalhar Vagabundo!" (1973) and his last film "A Casa da Mãe Joana 2" (2013). During his later career, he was also a recurring actor in Brazilian soap operas. Carvana died in October 4, 2014, from complications caused by a lung cancer.
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