Founded in 1947, “Group 47” made half‐yearly authors read publicly and endure brutal critique, launching postwar German literature (including Nobel winners). Its 1967 end still influences writers; veterans recall its power, while Kehlmann and Biller debate a modern equivalent.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing German identity through festivals (Carnival, Oktoberfest), films, small towns and big cities. He attends a Black–Bavarian wedding at an “animal fair,” chats with chimney sweeps, students, artists and elites (from Grass to Müller), and asks uneasy questions about unity, memory and the future - all from his outsider’s lens.
Günter Wilhelm Grass was a German novelist, poet, playwright, illustrator, graphic artist, sculptor, and recipient of the 1999 Nobel Prize in Literature.
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