George Cottle

Overview

Known for
Acting
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George Cottle

Known For

Looking at the World in a New Way: The Making of ‘Tenet’
1h 16m
Movie 2020

Looking at the World in a New Way: The Making of ‘Tenet’

A look behind the scenes of Christopher Nolan’s Tenet.

Inside 'Interstellar'
2h 2m
Movie 2015

Inside 'Interstellar'

Cast and crew of Christopher Nolan's "Interstellar" discuss project origins, the film's imagery, ambitions, incorporating IMAX footage, the human element within the film, arm shooting locations outside of Calgary, the set construction and design, working with real corn, mechanical characters, including backstory, design, the blend of practical and digital effects in bringing them to life, the differences in the characters, the human performances behind the characters, the creative process behind the film's music, Icelandic locations, vehicle interiors, the processes of simulating the absence of gravity, the crucial end-film visuals and influence and inspiration for future generations

Ending the Knight
1h 51m
Movie 2012

Ending the Knight

A comprehensive look into how Director Christopher Nolan and his production team made "The Dark Knight Rises" the epic conclusion to the Dark Knight legend. These cover stunts and action, production/vehicle design, various effects, photography and shooting IMAX, sets and locations, sound design and music, story/character areas, cast and performances, and some general thoughts about the series.

Biography

George Cottle is a highly competent second unit director and stunt coordinator who has gained recognition in the business for his work on successful films such as Barbie (2023), Oppenheimer (2023), and Tenet (2020). Cottle made a seamless move from the stunt industry to directing, lending his distinct viewpoint and experience to some of the most elaborate action scenes in Hollywood. He started his career in the stunt profession in the middle of the 1990s, and in 1997 he was formally included to the British Stunt Register. His breakthrough performance was with Plunkett & Macleane in 1999, when he pulled off a risky stunt involving a blazing carriage drawn by horses. Cottle honed his precision driving abilities as a stunt driver in the early years, working on British TV series such as Coronation Street and Cold Feet. His early experiences equipped him to tackle more difficult stunts on larger-scale movie sets. George Cottle's career took off in 2002 after he made an appearance in the James Bond film Die Another Day. He was nominated for a Taurus World Stunt Award in 2003 in the category of "Best Work With A Vehicle," together with fellow stunt performer Ray De Haan, as a result of this project, which was a major turning point in his career. Cottle took on more challenging tasks as his career progressed, eventually moving from stunt performer to stunt coordinator and second unit director. His work on Harry Potter and the Deathly Hallows: Part 1 (2010), The Dark Knight (2008), and Inception (2010) showed off his ability to plan and carry out complex stunt scenes that aesthetically complement the narrative. He has a well-earned reputation for pulling off daring yet safe stunts that test the limits of cinematography. His work on Tenet presented additional difficulties, particularly in designing stunts that complemented the film's narrative that bends time. His adaptability to a variety of situations and storylines has made him a priceless tool for filmmakers. As a premier stunt coordinator and second unit director, he has further solidified his reputation with his work on Oppenheimer and Spider-Man: No Way Home (2021). George Cottle is renowned for his contributions to a number of eagerly awaited Hollywood productions. Among the recent films he worked on were directing the second unit for Barbie (2023) and supervising stunt coordination for Deadpool & Wolverine (2024). He maintains his leadership position in the market because to his capacity to innovate and take on new challenges. Cottle's career is a testament to his enthusiasm, originality, and commitment to quality in the stunt industry. He began his career at Pinewood Studios as a young assistant and worked his way up to become a well-known second unit director and stunt coordinator. His story is an encouraging one of skill and perseverance. Cottle is still a major player in Hollywood, constantly pushing the limits of action filmmaking and stunt coordination with every new movie he takes on.

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