Office clerk Maxim witnesses a car accident. The affected girl is experiencing clinical death, which lasted 4 minutes. After her “return”, Maxim’s life changes dramatically: all his dreams are realized with the help of a girl’s mysterious gift. How far will Maxim lead his desires?
Influential businessman Vladimir owns enterprises for the development and sale of technologies that allow you to see the hidden. Around him and his young wife Catherine, events unfold that take them into the past. They witness Felissa Kruut's love triangle in the 1920s and 1930s. In the present, Catherine meets the young musician Stepan and her real love life becomes a reflection of the life of Felissa Kruut in the past. Vladimir, unable to observe from the outside and come to terms with his wife's infidelity, is trying to interfere with this relationship.
The story is about Nikita Kryukov, a hockey player known in the recent past, who chose the path of a hockey agent as a continuation of his career. Still remaining a maximalist and believing that everything can be fair, Kryukov is trying to build his career in the agency business. Nikita helps and protects his clients in every possible way, solving the most unexpected, sometimes unrelated hockey issues. However, by helping others, Kryukov is left alone with the problems of his personal life, which are much more difficult to solve.
The secret service conducts demolition work in the area of magnetic anomalies. Purely by accident, it turns out that three men are located in the explosion area: Vladimir Golenko, a criminal, Oleg Malinin, a photographer, and Benedict Tartakovsky, a failed writer. As a result of the explosion, a strange connection begins between those three: a photographer Malinin can read the criminal Golengo’s mind, even see the world around him with the criminal’s eyes, and the writer Tartakovsky can entirely control Golenko’s actions and communicate with Malinin remotely. Tartakovsky, having Golenko come into his full possession, decides to use him to revenge everybody who had ever stood on his way before.
Sergey «Fidget» Yevdokimov returns home after serving 8 years in prison. Here, he has an autistic brother, an alcoholic mother, an ex-wife with a kid, and double crossing friends. While in prison, Sergey was a UFC fighter, but he wants to start over. His father returns at the same time, while actually fleeing from prosecution. Aleksandr «Doc» Yevdokimov is a former UFC champion who’s now a fitness instructor. Doc enters the world of UFC again to win and make money, but this time, with the help of his prot?g?s. He brings his mistress Vera along. Sergey has no desire to patch things up with his father and especially with his lover, but Doc convinces him to join the team and participate in underground fights.
Sergeant John Mackenzie is flying to Russia from the United States under the professional exchange program. The American not only becomes the partner of investigator Vasilisa Vikhreva, but also temporarily settles in her apartment. It's hard for John and Vasilisa to work together — the difference in characters and mentalities affects. But the successful results of joint investigations convince the leadership to create a special department around them to combat crimes committed by foreigners and against foreigners in Russia. Unraveling one case after another, the partners find themselves embroiled in an international espionage game around a major scientific discovery.
Three young women living in Moscow found out that their partners are married to other women. Coping with this news at the bar, they decide to seek revenge for each other. When the job is done, it turns out that there are thousands of women caught in the same situation, hurt and cheated on by unfaithful husbands. All of these offended women want revenge. Our ladies can help with this.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
By browsing this website, you accept our cookies policy.