A lawyer is selected to be in charge of a retrial for a case surrounding the abduction and murder of a girl in Kagawa Prefecture 21 years prior. At around the same time, another kidnapping case arises in which a young girl is also abducted with no charges being filled, making Chisa one of the victims. With this, she sets foot in her hometown of Kagawa for the first time in 10 years and, with the help of her colleague, reinvestigates the incident that had occurred at the time, where there is a high possibility that the perpetrator was responsible for the same incident, having Chisa confront the suspect who may have once tried to kill her in order to uncover the truth behind the incident.
The Vietnamese orchestra was founded in 1959 to join people through music, unstopped by war and borders, but it had been facing difficulty surviving. Then in 1992, to rebuild the orchestra, fueled by the belief that "first-class countries have first-class orchestras," the orchestra leader invites Japanese conductor Sakura Kazuo to Vietnam to be their conductor. Together with interpreter Morioka Yuko, Kazuo works to overcome cultural barriers and aims to build a first-class orchestra while interacting with the unique Vietnamese members.
The story is about a film director, Kutani, who lives in the dying pink film industry, and an aspiring screenwriter, Iseki, and their loved one, Shoko, whose dream of a film she has clung to begins to crumble, and how their lives intersect.
Manami was born into a wealthy family, but she hates her family lineage as fake. She meets Jun, a wealthy gay man. June took Manami to a night club and she gets interested in Seiya, a host guy who has had sex with Jun for business.
Anzai, Mutoh, Hamada, Hagiwara, and Miru are in a car headed to a love hotel used by the Sugiyama Clan for money laundering. This one night only gang succeed in robbing them blind and though they were supposed to go their separate ways after splitting the money, the five end up being hunt down by a detective hired by the clan and clan members themselves. An ending nobody ever even dreamed of.
Akira Yamazaki and Akira Kaido are new employees at Industrial Central Bank. They are both outstanding at their jobs and fierce rivals, but they come from totally different backgrounds. When Akira Yamazaki was a child, his father's factory went bankrupt and his family ran away in the middle of the night. Because of that experience, Akira Yamazaki wants to work as a banker to save people. On the other hand, Akira Kaido was born into a family that runs a large company. He works with a calm demeanor. Due to a case, Akira Yamazaki receives a demotion. Akira Kaido continues to be successful at work, but his family's company is on the verge of bankruptcy due to their family-oriented management style. The employees there and their families are all in a crisis situation. With this desperate situation unfolding, the reversal of fate of these two men begin.
Childhood friends Sota, and Rakuto are on a journey to find the Phoenix, which shouldn't exist. As adults, there remains a dark shadow over each of them as their lives have progressed, thus they seek a bit of escapism in their travels. Parallel to their own story, is the mysterious bride. Not to mention a deserted youkai snack bar in the underworld, a gang from an SM Castle, an agricultural rapper, a young man on a bike trip, a monk peaching about enlightenment, the owner and operator of an empty movie theater, and more that the duo meet on their aimless journey. The hints of the true colors of life are within the journey, so what kind of Phoenix are they looking for?
Hiroto Miyama works with rookie lawyer Honoka Kono on a team that specializes with criminal cases for Madarame Law Firm. Atsuhiro Sada has become the director of the law firm. One day, the law firm receives a request about a case that took place 15 years ago. The case was about a poisonous wine incident.
Eiji Okuda (奥田瑛二 Okuda Eiji, born 18 March 1950) is a Japanese actor and film director. Born in Kasugai, Aichi, he was nominated for the Best Actor award at the 1990 Japanese Academy Awards for his performance in Sen no Rikyu. He won the award for best actor at the 37th Blue Ribbon Awards for Like a Rolling Stone.
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