After an accident that puts her in a coma, Maria Aliki, a struggling actress in search of major roles, enters a reality where she must play out all the possible roles life could have given her. Through this journey, she must discover who she truly is in order to return to life.
It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.
The Eye A young widow travels back to the island where her husband died to scatter his ashes. Upon learning the true nature of what may have claimed his life, she is tempted by a dark choice that could bring him back.
Members of the Baltatzis family recount the 1922 burning of Smyrna, Greece, including the assault on vibrant Greek and Armenian communities.
The Minister of Health is invited to a radio show, in order to hide a scandal he’s involved in. On air, they are walking on a tightrope, that gets even tighter by the listeners’ reactions and the pressure by the pharmaceutical companies and the government.
A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.
Follows incompetent Greek-Cypriot lettings agent Stath, who works for the family business, Michael and Eagle. While Stath wrestles not to be outshone by their top agent, ruthlessly ambitious Carole, the company struggles against the threat of Smethwicks - the slick, high-end estate agents next door.
The unexpected encounter of two strangers and their agreement while waiting for a cab to share the cost of the ride, becomes the motive for the anatomy of a relationship.
11-year-old Misha is coming from Russia to Athens during the 2004 Olympic Games to live with his mother. He does not know there is a father waiting for him.
Christos Stergioglou was born in 1952 in Didymoteicho, Thrace, Greece. He is an actor and producer, known for Dogtooth (2009), The Eternal Return of Antonis Paraskevas (2013) and Unfair World (2011).
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