Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images and essences of such downtown luminaries as Richard Foreman, Ken Jacobs, and Carolee Schneemann, Hills’s cinematic inventions literally turn the screen upside down and inside out. In this epic journey into the picaresque, we follow Emma Bee Bernstein, our intrepid protagonist, from her pre-teen innocence to her late teen-attitude, as she learns about the downtown art scene firsthand. In the process, Hills reimagines the art of video in a style that achieves the density, complexity, and visual richness of his greatest films.
Milk pours from a plastic container into a woman's mouth. The woman swallows it, dribbles it back at the container, and spits it out.
In this documentation of a performance at the Andrea Rosen Gallery in New York, Donegan uses her body as an art-making tool, and toys with identity politics as well.
Cheryl Donegan was born in 1962 in New Haven, Connecticut. She received her B.F.A. in Painting at the Rhode Island School of Design and an M.F.A. at Hunter College in New York. She was an artist-in-residence at ART/OMI, and Banff Center for Fine Arts, Alberta, Canada. Her tapes have been exhibited internationally in museums, galleries, and festivals including the 1995 Biennial Exhibition of the Whitney Museum of American Art, The Museum of Modern Art, and the Guggenheim Museum Soho, New York.
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