Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.
A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.
By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.
A lie is a declaration of someone who believes or suspects that is entirely or partially false and expects people to believe it, so the truth can be entirely or partialy hidden. Fictions, even when they are false, are not regarded as lies. Malena and Lucas maintain a dead relationship neither is willing to end for different reasons. Fears, insecurities, third parties involved, and their imposibility to face the truth forces them to lie (each other), and according to the dictionary the people who often do that are characterized as liars.
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Camila Fabbri (Argentina, 1989) is an Argentine writer, playwright, director and actress. She wrote and directed the plays Brick, Mi primer Hiroshima and Condición de buenos nadadores, among others. As a writer, she published the books of short stories Los accidentes and Estamos a salvo, as well as the novel El día que apagaron la luz. As an actress, she appeared in Martín Rejtman’s film Two Shots Fired.
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