The very elegant Marsella comes to Mexico from Transylvania and is hired by Diamantina to work in her bar as a showgirl. She develops a relationship with one of the disco's choreographers, but things get complicated when she discovers that multiple men are in love with her. If that's not enough, chaos ensues when her international lover, who turns out to be a vampire, comes to Mexico to take her back with him.
This film traces the unbelievable true story of the Calderón family, who built grand movie palaces in Mexico and the U.S., employing thousands to produce incomparable, hugely successful, and often reprehensible populist-genre films that were utterly and uniquely Mexican.
A group of heirs show up at a farm to collect an inheritance and are killed off one-by-one. A low budget direct-to-DVD release with loads of cameos from both veteran actors and World Cup soccer players.
A novelist realizes that his works gradually begin to exceed reality into a world of the unknown and supernatural, creating in its viewers an atmosphere of terror and suspense.
A young man witnesses the horrible death of his girlfriend. He then sells his sexual services to a woman who brings him home to her dying husband.
Carita de Angel is a remake of the telenovela Papa Corazon, which also was adapted for Mundo de juguete. Tells the story of Dulce Maria, a sweet, 5-year-old girl full of joy, compassion, and good feelings. After the death of her mother, her father Luciano Larios sinks into depression and lives abroad for a few years, leaving his daughter and loved ones behind. Dulce Maria enrolls in a Catholic boarding school for girls called "Reina de America" (Queen of America) to be taken care of by the nuns, as well as being taken care of by her uncle Gabriel, who is a priest.
Ana Luisa Peluffo (born 9 October 1929) is a Mexican actress. She has appeared in more than 200 films and television shows since 1949. She made her screen debut in 1953. She was a pioneer to appear in nude scenes in Mexican cinema in mid-decade. This helped her to establish her name and allowed her to turn to dramas and comedies, though she returned to her roots in the 1970s. Peluffo has one of the longest filmographies of any featured actress in Mexican cinema. She has won two Diosas de Plata: one for Best Actress for her role in La venida del rey Olmos (1975), and another for her long career (in 1996).
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