Alexander Terentyev

Overview

Known for
Acting
Gender
Other
Birthday
Sep 05, 1983 (41 years old)

Alexander Terentyev

Known For

Tom Clancy's Without Remorse
1h 49m
Movie 2021

Tom Clancy's Without Remorse

An elite Navy SEAL uncovers an international conspiracy while seeking justice for the murder of his pregnant wife.

Run
1h 18m
Movie 2020

Run

A former boyracer, who married his first love and took a job in one of the fish factories, now has a 17 year-old-son of his own following in his footsteps and can no longer ignore the fact he’s going nowhere. Unable to be physically or emotionally present with his family, he takes his son’s car out for one final joy ride and risks losing the love that surrounds him

The Hitman's Bodyguard
1h 58m
Movie 2017

The Hitman's Bodyguard

The world’s top bodyguard gets a new client, a hitman who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Wonder Woman
2h 21m
Movie 2017

Wonder Woman

An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.

The Watchers: Beginning
1h 30m
Movie 2015

The Watchers: Beginning

Night in the center of Moscow hit by a girl, she urgently needs complex operations. Her friend Kira finds the culprit, arrogant and cynical tycoon Sergei Polanski, who refuses to admit his guilt and help the injured. He does not care, he has everything under control. In desperation, Cyrus turned for help to the three guys sympathetic to her - bykovatomu Fede, arrogant, handsome Artem computer genius and his wife. Boys entered into between the Covenant - "help the girl punish the villain, and then decide who will become her boyfriend."

Sex, Coffee, Cigarettes
1h 25m
Movie 2014

Sex, Coffee, Cigarettes

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

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