Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.
At the end of the world, we follow the only two remaining creatures: One covered in grass and one covered in hair.
A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.
In 2000 Alejo Moguillansky, Diego H. Flores and Fermín Villanueva filmed for three days aboard the ARA San Juan submarine. Twenty years later, Alejo Moguillansky edited that old material in this travel chronicle called The Submarine Night, narrated by Luciana Acuña and himself, written together with Mariano Llinás.
A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
Sound Design for Cinema in Argentina, by famous Sound Designers
Born in 1978 in Buenos Aires Argentina. Alejo Moguillansky is a film director, screenwriter and editor, and a tenured professor at the Universidad del Cine. His films have been screened at festivals such as Locarno, Berlinale, Viennale and London, among others. He co-founded the production company El Pampero Cine.
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